Sons of Liberty on “History” is terrible and stupid and partly accurate
Everyone by now is talking about History.com’s Sons of Liberty and how blazingly inaccurate it is. Everything that can be falsified has been falsified, from the ages of the leading participants to their motives to their actions. The AV Club sums it up better than we can here.
We went to the History.com website to take a look and were intrigued, given the circumstances, to see a box called “Historians’ View” on the landing page. Once clicked, we came to a page that begins with this statement:
“SONS OF LIBERTY is a dramatic interpretation of events that sparked a revolution. It is historical fiction, not a documentary. The goal of our miniseries is to capture the spirit of the time, convey the personalities of the main characters, and focus on real events that have shaped our past. For historical information about the Sons of Liberty and the dawning of the American Revolution, please check out the links below.”
A slew of links out to other resources follow this, and most of them are accurate, which seems baffling at first—if you know the real story, why not tell it?
But that brief statement explains all. Should the “History” channel offer historical fiction rather than fact? No. Should it present historical fiction as a documentary for TV viewers, with this disclaimer buried below the episodes on the website? No. Should it promote 21st-century gun values by claiming that they are part of our hallowed revolutionary history? No.
The latter is most important, because the Revolution was all about our evolution from a tradition of mindless, horrible violence to a focused legal, philosophical, and military fight for liberty and justice. In our post The Boston Tea Party and a Tradition of Violence, we describe the terrible violence and destruction that Americans felt no qualms about using when they were upset, or for no real reason at all. Violent action was sanctioned in the American colonies in ways it never was in Britain. Mobs formed at the drop of a hat, and destroyed people’s homes and businesses—literally tearing them apart brick by brick—to settle personal grudges as well as political arguments. Tarring and feathering, which is somehow presented as a harmless prank today, involved holding people down naked and pouring boiling tar over their bare skin, then covering them with feathers. At the time, it was called “the American torture”. It cost many lives.
It was this kind of violence that the real Sons of Liberty’s leaders began to realize had to go if Americans wanted to claim they were calling for a just war against Britain. The Boston Tea Party was the striking departure from that tradition of violence. It was deliberately carried out without costing a single life—the men who called for the protest and led it in the harbor read the riot act to all participants: no one was to use any violence against any one. The protest had to be completely nonviolent for the same reason Martin Luther King wanted civil rights protests to be nonviolent: to show the injustice of the inevitable hostile reaction when compared with the high ideals of the protestors. And it was successful. The Tea Party was completely nonviolent, and that’s what aroused general public sympathy throughout the American colonies when the British cracked down so hard on Massachusetts in retaliation.
So making “Sons of Liberty” violent is indeed to “capture the spirit of the times”, as the disclaimer says, and if early episodes showed the unthinking violence our forefathers used early in the run-up to revolution, it would be completely accurate. But then it has to show the evolution away from violence in late 1773. It has to focus on the efforts of John Hancock, the Adams cousins, and others to swerve the growing energy for revolution away from mindless personal attacks to directed, politically powerful stands for liberty that could serve as building blocks for that liberty.
Instead, this series unsurprisingly focuses on imaginary affairs and other forms of make-believe that just confirm our judgment that the series’ producers and the “History” channel either a) did not know the real story or b) did not believe the facts were interesting enough to present, or both. It’s baffling how many shows about historical events believe those events were so incredibly boring they’re not worth making a show about, and fill in with guns and sex and made-up speeches and events instead. If you think the facts are boring, just write your fictional show and be done with it. Why call it Sons of Liberty when it’s not about them?
Perhaps one day, 100 years from now, someone will write a miniseries about the producers and management at the History Channel that shows them all as ex-cons who commit terrorist activities on the weekends. They could hardly complain, could they, from beyond the grave?