TLC’s Who do you think you are; or, where were you in high school history class?
We’ve been watching the TLC series Who do you think you are?, which answers family history questions for different celebrities. Chelsea Handler was able to put the fear that her maternal grandfather had been a Nazi to rest, Chris O’Donnell found out he had ancestors serving in the War of 1812 and the Mexican War, Zooey Deschanel learned about her Quaker ancestress’ involvement with the Underground Railroad, etc.
We were alarmed by the big holes in the story of Christina Applegate’s paternal grandmother, where data written on documents shown on screen was ignored to provide a comforting version of her family history. No self-respecting genealogist would have signed off on that episode. But more upsetting to the historian were the O’Donnell and Deschanel segments, where the celebrities in question displayed an astounding ignorance about some very basic moments in U.S. history.
Chris O’Donnell’s pride in his ancestor serving in the Mexican War was misplaced, as it was a war of naked aggression and conquest against Mexico, but we will let that go (see our series of posts on that war here). A quote from The LIberator from February 1847 on that war will do for now: “…the present war is offensive in essence. As such it loses all shadow of title to respect. The acts of courage and hardihood which in a just cause might excite regard, when performed in an unrighteous cause, have no quality that can command them to virtuous sympathy.”
Moving on to O’Donnell’s ancestor in the War of 1812, we learn with him that said ancestor was present at the bombardment of Fort McHenry outside Baltimore (see our article detailing the battle there). As the public historian at the fort tells O’Donnell that his ancestor manned the cannon that quickly became useless against the British ships and their long-range missiles, and how night fell as the ships continued their bombardment of the fort, O’Donnell remains completely unaware that this is the battle commemorated in the National Anthem—that this was the “perilous fight” that had “the rockets’ red glare, the bombs bursting in air”. The historian finally has to tell him this is the battle, and O’Donnell seems completely astounded.
There were those in our viewing group who believe he was told to feign ignorance so the television audience could learn it along with him, but we remain doubtful of this.
Moving on to Zooey Deschanel, we will also let pass the idea promoted by the show that Quakers were always abolitionists, and the first religious denomination to reject slavery in America—the Baptists were early abolitionists in the 17th century, though Virginia Baptists would do a 180 after the Revolutionary War. Methodists were also abolitionists, and many southern Quakers were slaveholders. It was not until 1776 that the Quakers banned slaveholding within their denomination.
The real problem here is that Deschanel had either never heard of the Fugitive Slave Law, or is a great actress who made it seem like she had never heard of the Fugitive Slave Law. As most of us know, the 1854 Fugitive Slave Law was only the boldest move of proslavery forces to not only steal liberty from enslaved people who escaped to freedom, but to enslave free black Americans, and encroach on white liberty itself. Whites were forced by the law to help slavecatchers, they were fined and jailed for failing to do so, or for helping an escapee, and whites were forced to live with the rescinding of the personal liberty laws they had voted for on a state level. The Fugitive Slave Law attacked the liberties of black Americans and white Northerners, and was the most galling example of the slave power perverting democracy and threatening free government to antislavery whites and even the professedly neutral.
We learn about the FSL when we learn about the Compromise of 1850, of which it was a part. To pacify proslavery forces who were angry that California was allowed to enter the Union as a free state, the Compromise allowed slaveholding and trading to continue in Washington, DC, and upheld the “rights” of slaveholders to their “property”—enslaved people—throughout the Union. This meant that if you lived in, say, Wisconsin, and had voted to pass personal liberty laws in your state outlawing slavery, those laws were overturned. Slavery would be upheld in “free” states, because slaveholders were allowed to enter free states and reclaim escaped people, and even pick up black citizens who had never been enslaved—the word of the slaveholder was accepted over the word of the black citizen and even the white citizens of the state. Whites were forced to help slavecatchers or be fined and jailed. Thus, slavery was basically enforced in every state of the Union, and outrage over this was expressed by many Northerners who had not previously taken a stand on slavery.
So the Fugitive Slave Law is famous and important, and it’s very hard to believe that someone would not know anything about it today, would not have even a vague recollection of learning about it, or just recognize the name. This reminds us that Kelly Clarkson had no idea what Andersonville prison was during the Civil War, and was shocked to learn about the brutal conditions there.
These are not obscure little corners of U.S. history; the bombardment of Fort McHenry, the Fugitive Slave Law, and Andersonville are major turning points in our national history. Only two men were executed for their role in the Civil War, and one of them was Henry Wirz, commandant at Andersonville. We sing about Fort McHenry before every sports event. We can only hope that viewers of Who do you think you are? have a better understanding of their history than its subjects do.