Should we ever compare modern situations to Hitler’s fascism?

Posted on November 9, 2018. Filed under: Civil Rights, Politics, What History is For | Tags: , , , , |

Good historians are extremely cautious about comparing problems–even very serious ones–to Nazism. Claiming that someone is “like Hitler” or “as bad as Hitler” cannot be done lightly. The enormity of the crimes committed by fascists in Europe before and during WWII is so overpowering that a slipshod or weak comparison diminishes both the horror of the Nazis and the credibility of the warning one is trying to raise in the present day.

So we were cautious when we heard about this short video by Jason Stanley, a philosophy professor at Yale, that’s been going around. But we feel it is on target, and so we link you to If you’re not scared about fascism in the U.S., you should be.

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The World Wars on the History Channel; or, all in one and one subbed in for all

Posted on June 4, 2014. Filed under: Historians, Truth v. Myth, What History is For | Tags: , , , , , |

Hello and welcome to part 2 of our short, indeed two-part series on the History Channel’s new series The World Wars. In the first part of our mini-series, we looked at the shortcomings of both “great man theory” history and misogyny. Here, we focus on a main theme of Episode 1 that we can’t quite live with: the radicalization theory.

We are told repeatedly that Hitler was radicalized by his experiences serving as a private in WWI. The same claim is made about Mussolini, but not as often, as he only makes two brief appearances. Both men, but especially Hitler, saw brutality, random violence, pointless and awful death, and other horrors of war, and then Hitler had to suffer through his country’s defeat and surrender (or, as he saw it, its sure victory and inexplicable surrender). All this changed him from an anonymous putz to a demonic fascist.

The problem with this is twofold: first, millions of soldiers had the same experience of the horrors of war but did not turn into monsters; and second, war horror is not a logical explanation for what Hitler became and did. Many men wrote about their horrible experiences in the war afterward. They all suffered in the same way Hitler did. Many of them questioned the social and political status quo, and gave up on religion. But they did not all become fascists overthrowing governments and using murder to establish power. So to repeatedly show Hitler taking in the horrors of war is not adequate as an explanation of his evil. There was something about Hitler’s mind and character that allowed him to drift into fascism, and while that something was present before the war, it really flowered after the war.

The best part of Episode 1, which is really well done, is the sequence after the war showing Hitler begging for work from the army and being sent to monitor a podunk political leftist group, mostly just to get him out of the army’s hair, and sitting there at the meetings, defensive and wary, until he begins to be drawn in, correcting the speakers’ arguments and becoming a leader. The response of the men at the meetings is very natural: here is a man who wants to stand up for Germany and assert its virtues and innocence of war guilt at a time when the whole world is making Germany a pariah among nations. Here is a man who has patriotism and confidence—two things that were very scarce in Germany after WWI—who makes us feel good about our own personal participation in the war and status as war veterans. He’s not suggesting holocaust at this point. He’s just asserting the right of Germans to be proud of being German. At that point, that was a radical but not morally repellent stance. It’s clear that Hitler progressed from this neutral status to his warped plans for a bigger and better Germany that involved the goals of patriotism driven to an illogical extreme of imperial conquest and genocide.

What shaped Hitler was not so much the war as its aftermath. If he had been selling fascism in the trenches he would have been rejected. But in the 1920s, there were men and women who were ready for radical ideas, and willing to be radicalized, as a sort of wild pendulum swing from overwhelming shame to unthinking pride, and all of it based on national identity turned into racial identity. Hitler was not interested in fascism in the trenches, and not even thinking about it when he first attended the political meetings. But he got the idea from the times after the war, and then his personal chemistry and mindset allowed him to take it to undreamed-of levels.

So we’re not buying the idea that The World Wars episode 1 so consistently urges on us, that it was war that made Hitler. It was peace: Hitler was radicalized by a peace he could not accept. If the war made Hitler, it should have made tens of thousands of Hitlers, all over the world, in England and France and the U.S., and perhaps Belgium in particular. Fascism should have swept the world and become the dominant form of government. There should never have been a WWII. Japan was on the Allied side in WWI, experienced no fighting on Japanese soil, suffered few causalities, and should therefore have been safe from fascism after the war. But that was not the case. The fascism that characterized the 1920s and 1930s was a force many decades in the making that was set free to grow in the despair and political chaos and opportunism of the postwar period.

We end our analysis of The World Wars here; we can’t hang on for two more episodes. But if you watch them, let us know. Send a comment and tell us what happened. We’re indebted to an HP reader for recommending we watch Episode 1. (The History Channel is not really on our radar, as it is rarely devoted to history.) We’d love to find out that the series improves, but we’ll leave it to you to let us know.

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The World Wars on the History Channel: A review (of both)

Posted on May 29, 2014. Filed under: American history, Historians, Truth v. Myth, What History is For | Tags: , , , , |

The History Channel has a new three-part series on called The World Wars. Its premise is that if you follow the individual lives of Hitler, Mussolini, Stalin, Churchill, Roosevelt, MacArthur, and Patton, you will get a complete understanding of WWI and WWII and all the tragedy they entail. The “great man” theory of history has been debunked for a few decades now; the idea that events affecting and relying on the participation of thousands, tens of thousands, or millions of people are entirely created, shaped, led, and even dictated by the desires and actions of one man, or maybe two men (opposing each other), has obvious logical flaws. Most modern historians have proved that to understand anything you have to research the lives of the average people who made it happen, whether they were carrying out the will of the leader or following their own interpretation of what the leader wanted; obeying God, family, or both; out for their own benefit; acting out of confusion or fear; conflicted, dedicated, etc. “Great men” are the products of their society, and it’s a two-way street of influence.

But The World Wars is about Great Men, and a viewing of Episode 1 shows us that that is likely because the History Channel itself is about Great Men. Watching the ads for other HC shows was telling. They are all about men: Mountain Men, American Restoration, Top Gear (about cars), The Hunt, Big Rig Bounty Hunters, American Pickers, Vikings, Ax Men, Counting Cars (about cars). In each show, a few rugged men have some sort of expertise—in cars, logging, hunting, survivalism, etc.—that they pursue in isolation, from the forest wilderness to the cab of a truck to a hot rod garage. We did not see a single woman in any ad for these HC shows. Women are not needed. When only men exist, all men are great. (We did, however, see women in the endless beer and liquor ads, tramped out in the usual beer-ad ways.)

It’s no accident, then, that there are no women in The World Wars, Episode 1. Not only are there no women with speaking parts, there are actually no women at all. The only time you sort of see a woman is in a bar where Churchill is shown talking with other men, and a literally shadowy figure of a woman is also at the bar, so blurred out that you can’t see her face. Women clearly do not exist in the world of the History Channel, where men do everything that matters and only men are affected by the events caused and led by men.

The other failings of the series’ focus on Great Men are aptly described elsewhere. Here we want to focus on some specifics, the little details that are red flags that the truth is not really being told.

1. There are generalizations made that would be hilarious if they weren’t so awful. For example, WWI is described the greatest tragedy of the century in many ways, and “it all started in the slums of Vienna.” We zoom in through a window to see a young Hitler doggedly painting a second-rate landscape. Yes: the claim is made that World War I all started with Hitler. If Hitler had not been born, WWI would not have happened. The mind rebels at this sort of wild idiocy, and we’re pretty sure that if anyone had bothered to proof/edit the screenplay they would have caught this ridiculous sentence and changed it. But no one did, and rhetoric, combined with a burning desire to deliver the Great Man theory, won the day.

2. Another gross generalization is that Pancho Villa’s attack on a U.S. train in 1916 left us “no choice but to declare war”. When is a nation ever left with “no choice” other than war? Worse, the U.S. never declared war on Mexico in 1916.  The most rudimentary review of the facts shows that the U.S. began a limited campaign with one Army unit against Pancho Villa led by General John Pershing. It lasted nine months and failed to capture Villa. It was called off when the U.S. entered WWI in 1917.

3. But because the expedition is called a war, it has to have a war hero, and that is George S. Patton, who served under Pershing on the Villa expedition. He is The World Wars’ Aragorn. Patton is presented as a handsome, brave, super-hero type who never wears a helmet on the Western Front and likes to stare mystically into the distance. They show him strapping a machine gun to a jeep in order to chase Villa, and much is made of this incredible technical innovation. Newspaper headlines are shown talking about the “huge success” of Patton’s mechanized raid on Villa and his men, and the episode repeats this language of absolute victory—and then we see another headline that says “Three Mexicans killed”. So Patton’s huge victory killed three men, none of them Villa. That seems less inspiring.

But we are not allowed to criticize Patton. His interest in tanks is central, because in the end, he is just another Top Gear or Big Rig driver, a guy who loves pimping out big vehicles. Patton is given full credit for “transforming” tanks from their original clunky design, but he did no such thing. He visited the European factories that were revamping the tanks, and ordered some for the U.S. That’s it. But the show even has speakers come on to say Patton is entirely responsible for the update. This crosses the line to outright lying, and is more than a red flag.

—We have to interrupt our Patton analysis here to talk more about these speakers on the show. They are not fully identified. You see a name and a title: “John Smith, Historian”. The usual data in a lower-third identification is name, title, and affiliation: “John Smith, Professor of 20th century Military History, West Point Academy”.  Speakers are brought in to documentaries to give them credibility. If we see that John Smith has a degree in military history, we believe what he says. But none of the speakers here are revealed to have specific knowledge of the fields they are discussing. We are historians here at the HP, but none of us are specialists in military history. Yet we could have appeared on this show as “The HP, Historian” and said anything we wanted. Some speakers are just identified as authors (“John X, Churchill Biographer”). There are also many politicians and American military officers who are given equal authority with the historians in accordance with the current belief that if you served in the military you are an expert on all military history.

4. Needless to say, there are no female speakers on the show. Women do not exist.

Back to Patton. He is constantly shown crouching on the back of one of “his” tanks in battle with no helmet—he’s too brave. This is reinforced in a scene that actually provoked outright laughter later on: the war is over, and he is training cadets on a firing range. He stands between two targets and tells the men to fire. The bullets fly past him on both sides, but he never flinches. This was inspiring when it was Elrond at the first battle of Barad-Dur. When it is Patton, it is beyond ridiculous. If someone out there can prove to us that Patton stood in the line of fire of raw cadets just learning to shoot at a target just because he was so awesome, please send us that proof.

5. General Douglas MacArthur is presented as a great hero. This was the man who on his own authority gave the order to fire on unarmed WWI veterans in 1932 in Washington, DC, who were peacefully protesting the government’s decision to refuse to pay them the bonus money they had been promised for their service in the war. MacArthur charged the men, women, and children with cavalry and infantry, and used teargas on them. He then set fire to the buildings they were living in, forcing those who had taken shelter there to flee into the attack. When President Hoover ordered MacArthur to stop the attack, he refused. Then when Americans were outraged, MacArthur claimed Hoover never told him to stop. This is the description of a war criminal. But in The World Wars, he is just another Great Man with a vision and guts and bravery and a commitment to his own vision that blots out everything and everyone else, like any hero.

6. The episode makes it seem like Wilson declared war the day after receiving the Zimmerman telegram. There was actually a three-month gap between the two events.

7. This is small, but we began to wonder why all the newspaper headlines the episode uses are from minor papers: Ogden City, Utah; El Paso, Texas; small towns in North Dakota and Louisiana. It’s not like these are not valid papers, but it is more common to see the New York Times, the LA Times, Washington Post, Chicago Tribune, etc. We wonder if they couldn’t get the rights somehow.

These are the red flags. These are the details and major themes that are simply historically inaccurate, and these are the signs that a show is more dedicated to its thesis than the truth, and willing to bend or ignore historical fact whenever necessary to protect and promote its thesis.

Next time, we will discuss an important problem with the main thrust of Episode 1.

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